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“Ghosts in Baghdad” and the Vulnerabilities of Heritage

Sarah May Redmond (Malika) and Alec Willows (Khalil). Photo: Tim Matheson What would you do to protect your life’s work? Your country’s heritage? When does an object stop being a “thing” and become a...

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“AFTER”– Hilarious, Awkward, and Close to Home

The premise of Martha Herrera-Lasso’s new play, After, is fairly simple: four young people navigate the murky waters of love and lust, all through conversations that take place after sex. While the...

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Sal Capone: a tragedy with sincerity and depth

When I was offered the opportunity to attend Sal Capone: the Lamentable Tragedy of (presented by urban ink productions in cooperation with Black Theatre Workshop) I had no idea what to expect. I know...

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“Evil Dead: The Musical” is Bloody Outrageous

Five young college students park their car on a lonely road and venture deep into the woods to spend their vacation in an abandoned cabin. The boys are expecting a weekend of hanky-panky and the nerdy...

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Fighting Chance’s “Little Women” Brings Warm Holiday Fuzzies

With its quaint 19th-century setting, four memorable heroines (five if you count Marmee), and its emphasis on the importance of family and togetherness in both good times and bad, Louisa May Alcott’s...

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